Record Label Bosses - Four of the Best

It takes a special kind of person to run a record label. These days, most label figureheads are anonymous, hard-working people who are trying to figure out ways to squeeze pennies out of consumers after the monetary value of recorded music plummeted beyond recognition. It wasn't always that way. Prior to the '00s, the greatest record labels were often analogous to harebrained schemes, with all kinds of whims indulged and odd avenues pursued, usually courting the displeasure of the bands they were supposed to be promoting. And those whims were often cooked up with little regard for cost or purpose--it was the art that counted. Here, we take a look at some of the charismatic behind-the-scenes figures who did very little to actually remain behind the scenes.

1. Tony Wilson (Factory Records)



Tony Wilson cared little for straightforward commercial success. The elaborate Peter Saville-designed sleeves for New Order's "Blue Monday" famously cost so much to produce that each sale incurred a loss. It didn't matter, because it all added to the myth Wilson had carefully sculpted around Factory, which did achieve success with bands like Joy Division, Happy Mondays, and New Order, but threw all the money away on expensive trinkets like the Hacienda and the famously elaborate conference table in the label's offices.

2. Bruce Pavitt and Jonathan Poneman (Sub Pop)



The early days of Sub Pop, with their limited edition vinyl releases and careful playing of the media game, are legendary. They may have signed Nirvana, but that didn't matter when Messrs. Pavitt and Poneman were staring innumerable debts in the face and trying to figure out a way to keep various ruses bubbling along in the press. Incredibly, it worked, not just with Nirvana, but also with later signings like the Shins and the Postal Service. Pavitt jumped ship back in '96, but Poneman continues to thrive with the label to this day.

3. Ahmet Ertegun (Atlantic Records)



Ahmet Ertegun and Herb Abramson founded Atlantic Records in 1947, progressing to make rock and soul history. Ertegun helped foster important soul talents by bringing the Stax label and others under Atlantic's wing, but he remains best known for signing Led Zeppelin after hearing their demo. It's testament to his talent and standing in the industry that a star-studded concert was held in his honor following his sad death in 2006--even though the public at large may not have known his name, the show at the O2 Arena in London was enough to persuade the remaining members of Led Zeppelin to get back together for a blast through their best-known songs.

4. Paul Morley and Trevor Horn (ZTT)



This strange pair--Morley was a music writer for the NME, Horn a member of one-hit wonders the Buggles--created a wonderfully arty label in the shape of Zang Tumb Tumb. Morley penned fantastically pretentious sleeve notes and joined the Art of Noise, while Horn foisted lavish production values on bands such as Frankie Goes to Hollywood and Propaganda. They never equaled the success of Frankie, and nor did it ever appear they wanted to, with ZTT ultimately ending up with one foot in the mainstream and one foot in the art world, which no doubt delighted Morley, who remains fascinated with both.

New Band Tips for 2010 (Part 2)

It’s not easy being the next big thing. One moment you’re being tipped by bloggers and music writers all over the Internet, the next you’re passé, over the hill, dumped just as quickly as you were picked up. It really is a hard knock life after all. Fortunately the Banded’s list of artists to watch in 2010 are Teflon covered, flame resistant, water-tight guarantees of hitting the big time. Perhaps. Here’s part two of our list of new bands to watch out for in the year 2010.

1. Das Racist



So much has already been written about Das Racist, aka New York rappers Himanshu Suri and Victor Vazquez, that it barely seems they qualify as a "new" band anymore. But "Combination Pizza Hut and Taco Bell" should serve as a mere taster for their debut album, whenever that may surface, because their current live show is one of the most entertaining, intelligent, and laugh-out-loud funny experiences you can have with your clothes on.

2. Sisters



This Brooklyn-based duo are a product of the same loft space (Death by Audio) that produced A Place to Bury Strangers, and like to play just as loud as their neighbors. Sisters are a duo, Aaron Pfannnebecker and Matt Conboy, who perform before a teetering stack of amps and play with an intensity and abandon reminiscent of Dinosaur Jr's classic You're Living All Over Me. Various singles have already been issued, but Sisters need to be experienced live.

3. Sleigh Bells



Surfer Blood were much hyped at this year's CMJ, but a band that splintered off from them, Sleigh Bells, are a far more enticing proposition. Derek Miller and Alexis Krauss already have some famous fans--Mos Def jammed with them at a recent New York show, and M.I.A. and Spike Jonze have been seen checking them out. They clearly don't need much of a boost, but the Sleigh Bells MySpace page is still worth perusing, as it demonstrates an earth-flattening guitar sound, a hip-hop undertow, and some infernally catchy vocal melodies.

4. Dum Dum Girls



New Sub Pop signings Dum Dum Girls are ostensibly a solo project for singer/guitarist Dee Dee, who recently shaped the band into a full-pelt all-girl group for a set of live shows. Their music is honeyed '60s garage pop, with looks and attitude to match. Phil Spector would surely love to be in the producers chair to help sculpt Dee Dee's pop sensibility, but she's doing just fine on her own, and the debut Dum Dum Girls album should be one of the most strident and impressive releases of early '10 ("early '10" still doesn't feel quite right).

New Band Tips for 2010 (Part 1)

It's never been easier to get music out to the world, although the flood of new voices can be difficult to navigate on sites like MySpace, Spotify and We7. How to know where to start? Here, we offer a guide to some of the newest talent that has emerged in 2009, and may just rise up to make a bigger impression during 2010. Best albums, best songs, best videos, best tweets and myriad other "best" lists proliferate at this time of year, but consider this first part of our new band tiplist as the cream at the top of all the "best" ballots.

1. Jeff the Brotherhood



Nashville, Tennessee, twosome Jeff the Brotherhood are two brothers with a love of huge riffs and oddball pop moves. Their album Heavy Days has obliterated the need to listen to the Cars' back catalog for at least a couple of years, but it's their live shows that have caught the most attention--singer/guitarist Jake Orrall is a compelling frontman with a piercing stare and some impressive moves.

2. Tony Castles



New York trio Tony Castles have a quiet star in the making in singer Paul Sicilian, whose soft R&B-tinged falsetto was one of the best discoveries for many people at this year's CMJ Music Marathon. Stabs of organ and gentle pattering drums provide a perfect backing to Sicilian's sunny croon. A few demos are all that's currently available on their MySpace page, but expect big things when some proper studio recordings are issued.

3. Grooms



The taut, angular rock of this Brooklyn trio taps right into the '90s revival that is currently holding the music industry in a tight grip. Grooms' music is a meeting point between the tightly wound discordant guitar noise of Sonic Youth and long-forgotten bands like St. Johnny and Poster Children, with some Malkmus-esque vocals thrown over the top for good measure.

4. Javelin



Thrill Jockey signings Javelin can often be found flanked by stacks of '80s beatboxes as they deliver their electro-indie sound. Their music is a chewy mash up of hip-hop and funk that often recalls Tom Tom Club's eponymous debut combined with light, bustly rhythms and niggling beats. Javelin's debut 12-inch single for Thrill Jockey is out now, and expect plenty more to come in the decade that no one has figured out how to name yet (the Tens?).

Anvil Left Off Shortlist for Best Documentary Oscar

Anyone hoping to see Steve "Lips" Kudlow play his guitar with a vibrator at the Academy Awards is in for a disappointment--the film Anvil! The Story of Anvil has not been included in the shortlist for Best Documentary Film for 2009. Lips is unlikely to care too much--the fortunes of his band have escalated beyond his wildest dreams since the film's release--although director Sacha Gervasi may feel slighted. Here, we celebrate the storied history of the rock documentary with four of the best examples of the genre.

1. The Flaming Lips - The Fearless Freaks (dir. Bradley Beesley)



Brad Beesley's film, which is one of the best examples of the rock doc genre, showed exactly what he could do with unprecedented access to one of North America's most inventive bands. It helps that Wayne Coyne is so naturally charismatic and charming, but the director also shows a dark side to the band by filming Steven Drozd shooting up with heroin, which he used as an attempt to finally escape from the drug.


2. The Decline of Western Civilization Part II: The Metal Years (dir. Penelope Spheeris)



There are almost too many highlights to list from Penelope Spheeris's film, which documented the Los Angeles hair metal scene from the mid to late '80s. It's perhaps most famous for the scene of W.A.S.P. bass player Chris Holmes sitting in his swimming pool drunk off his ass while his mom looks on, but major players such as Lemmy from Motorhead and Ozzy Osbourne also provide plenty of amusement.

3. Metallica - Some Kind of Monster (dir. Joe Berlinger, Bruce Sinofsky)



Metallica's decision to go into group therapy while they recorded the awful St. Anger album was documented by Berlinger and Sinofsky in this relentlessly fascinating feature. Metal bands clearly make for good documentary fodder, but so does drummer Lars Ulrich's dad, who appears here as a wise, sage-like character who casts judgment over all the band's recordings.


4. The Rolling Stones - Cocksucker Blues (dir. Robert Frank)



Like Spheeris's film, Cocksucker Blues is tied up in litigation and difficult to find, and is likely to remain that way for the foreseeable future. Frank's document of the Rolling Stones' debauched North American tour from 1972 captures the band taking drugs and abusing groupies, and is possibly one of the most brutally honest portrayals of a huge rock band in existence. Currently, a bizarre court ruling dictates that the film can be shown in public, but only if the director is present.

U2's Troubled 360° Tour

It might seem strange to talk about a global stadium-filling tour as "troubled," but U2 aren't having the best of times of their gargantuan 360° jaunt. The tour turned up in Dublin this weekend, which should have been a triumphant homecoming for the band. Instead, they got fined €36,000 for breaking strict noise regulations and were met with protests from local residents who were angered by the huge disruption to the local area from over 100 trucks used. This comes at the end of a troubling few months for the band, who have concocted such an elaborate stage set for the 360° Tour that they still haven't turned a profit.



The tour has been running into problems since its inception. Environmentalists haven't been happy about the wasteful nature of the set design, and the enormous amount of energy taken to transport it across the globe. The Edge was ultimately forced to announce that the band was purchasing 'carbon credits' in an attempt to offset the damage they were doing to the environment. Even Talking Heads singer David Byrne has spoken out about the waste generated by the tour, saying the costs were "excessive."



In the meantime, the band members have had to deal with the tortuous process of getting their Spiderman musical off the ground (now delayed due to a lack of funding) and Bono was met by further anger and exasperation when he appeared at the right-leaning Conservative Party Conference in early October. A recent show in Berlin, where they constructed a modern-day Berlin Wall to keep out non-paying fans of the band, caused "outrage" according to this ABC News report.



Can Bono and the boys do anything right? They're probably pondering that question right now, although the crowds at the 360° dates have been decent, and their back catalog even gets a decent write-up in indie bible Pitchfork these days. Just don't ask them about sales for No Line on the Horizon, which Bono believes is "a bit challenging for people who have grown up on a diet of pop stars." Perhaps he forgot about his own aspirations in that direction?

Beck Recruits Wilco and Feist for Record Club

Beck's Record Club project continues to provide one of the most intriguing musical outlets on the Internet. The premise behind Record Club is simple--produce a cover of one classic album, recorded over the space of a single day by Beck and his famous friends. Each project is never going to equal the recorded output of each individual performer, but that's not the point. This is a casual, let's-see-what-we-can-do-here jam that isn't designed to be earth shattering, but may turn up odd moments of inspiration.

Incredibly, two albums are already done and dusted by Beck and his crew, with The Velvet Underground and Nico and Leonard Cohen's Songs of Leonard Cohen already streaming on his site. Clearly, this isn't going to be an idea that stalls at the first hurdle, as these ventures so often do. In fact, Beck has already begun work on the next album in the series, which will be a full re-imagining of Skip Spence's 1969 album, Oar.

MGMT and Devendra Banhart were among the guests who previously helped the Record Club into life, but Beck has outdone himself by recruiting Wilco, Feist, and Jamie Lidell for a tilt at Spence's "Little Hands." The results are in the streaming video below, which captures the fun and loose nature of the sessions. Jeff Tweedy's son, Spencer, also sits in on this track (that's him behind the drum kit alongside Bil Withers' drummer James Gadson) and the promise of more Spence songs, which will be spread over the upcoming weeks, are now a mouthwatering proposition.

The Strange Case of the Aerosmith Split/Non-Split

Are rock legends Aerosmith breaking up? No one seems to know, least of all the band themselves. A frank interview with guitarist Joe Perry suggested that the wheels had most definitely fallen off the wagon, although subsequent events have muddied the waters and now no on seems to know what's going on. "He has had no contact with me or the other band members ... I got off the plane two nights ago," Perry said in an interview with the Las Vegas Sun. "I saw online that Steven said that he was going to leave the band. I don't know for how long, indefinitely or whatever. Steven quit as far as I can tell."



A concurrent interview with Aerosmith drummer Joey Kramer confused matters further. The following exchange took place on radio station WPLR:

WPLR: Is Steven Tyler in the band?

Kramer: "Well, my partners have been misquoted and their comments have been taken out of context. I'm not going to make a statement about that on the radio. I'm going to make a statement about it in person."

WPLR: So the band did not break up?

Kramer: "No, the band didn't break up."

WPLR: The band is together

Kramer: "Yup."

Tyler has been in a state of ill health and Aerosmith concerts were canceled after he took a well-publicized fall on-stage earlier this year. But the latest twist in the tale occurred last night (Nov. 10) at Irving Plaza in New York. Perry has been filling his Aerosmith-less hours by playing with his own band, the Joe Perry Project, who welcomed Tyler onstage for a rendition of "Walk This Way." Tyler said from the stage: “I just want New York to know, I am not leaving Aerosmith." Then, turning to Joe Perry, he said, “Joe Perry, you are a man of many colors. But I, motherfucker, am the rainbow!” Clearly, rock legends don't really split up. They just act eccentrically for a while and then hit the road until the grim reaper finally comes calling.